Those claws, those claws, those claws

Lit Chat Vol. 35—May and June in Review

Pyramid of book cover images with  A Marriage at Sea by Sophie Elmhirst, This Time Tomorrow by Emma Straub, The Safekeep by Yael Van Der Wouden, and The Buried Giant by Kazuo Ishiguro on the bottom; Wide Sargasso Sea by Jean Rhys, The Seven Daughters of Dupree by Nikesha Elise Williams, and Brawler by Lauren Groff in the third row; The Mirror & the Light by Hilary Mantel and Lonesome Dove by Larry McMurtry in the second row, and Bring Up the Bodies by Hilary Mantel on top

Hi friends,

I have a confession to make: I’ve forgotten how to read.

Okay, obviously not actually, but I am in a big ol’ reading slump. This happens to me sometimes in the summer. I start off hot and excited about summer reading, and then somewhere between the heat waves and the excessive travel and the wildfire smoke, all I want to do by mid-July is lay flat on the couch and mainline Love Island UK.

What gets you out of a reading slump? I’m hoping this newsletter will reset me, because I did read quite a lot in May and June before the inclination to do anything cerebral exited my brain. This is actually going to be a pretty big one to compensate, so bear with me! The top few are worth it.

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THE FOUNDATION

Book cover images for A Marriage at Sea by Sophie Elmhirst, This Time Tomorrow by Emma Straub, The Safekeep by Yael Van Der Wouden, and The Buried Giant by Kazuo Ishiguro

A Marriage at Sea — Sophie Elmhirst

If you’re planning a sea voyage anytime soon, this is not the book for you. However! If you’re interested in real-life survival stories that double as an examination of a relationship, then definitely add this one to your list. A Marriage at Sea tells the true story of Maurice and Maralyn Bailey, a British couple who survive being shipwrecked in the Pacific Ocean for 118 days in 1973. However, the shipwreck part is only about a third of the book, as the rest follows Maurice and Maralyn’s journey both before and after the voyage that made them famous. Although not as exciting or interesting as the actual emergency, understanding both of their personalities and their dynamic together is essential for understanding how they’re able to survive as a unit as long as they do—both before and after the rescue. I recommend this one on audio!

This Time Tomorrow — Emma Straub

It’s no secret that we’re big fans of time travel stories over here at Lit Chat HQ, and I’m always looking to see how different authors handle the mechanics. In this one, 40-year-old Alice discovers she can go back and relive her sixteenth birthday whenever she wants, and starts experimenting with how making different decisions on that day alters her life in the future. Her ultimate hope is that she can somehow figure out a way to make her dad, hospitalized in the present, well again. I enjoyed getting a feel for 90s New York in the time travel scenes, but it lost me for a bit in the middle with all the different iterations of Alice’s potential lives. The real heart of the story lies in the time spent exploring her relationship with her dad, reliving her teenage days with the younger, healthier version of the father she is on the brink of losing in the present. Their relationship brought me back into the story and ultimately landed the emotional plane for me.

The Safekeep — Yael van der Wouden

Real ones also know I love a good historical fiction novel, and The Safekeep delivers in unexpectedly novel and satisfying ways. Set in the outskirts of Amsterdam in the aftermath of World War II, it follows a young woman forced to host her brother’s girlfriend at her family home for an indeterminate amount of time. Though initially strained, the connection between the two women takes on a depth that has farther-reaching impacts than either of them could have imagined. I also learned something new about WWII history, which I can’t fully get into here for fear of spoilers, but which added an unexpected layer of significance and emotional impact to the novel. Fast-paced and just gorgeously written, this novel would be a great addition to your tote bag this summer.

The Buried Giant — Kazuo Ishiguro

I picked this up in Exile in Bookville when I was in Chicago for a conference in April and had lots of time to kill, and I didn’t even realize that it was an Ishiguro book at first because it doesn’t look like any of his other Penguin covers. This one checks a lot of my boxes as a historical-ish novel that reads like a fairytale about ancient heroes, forgotten glory, and gentle, persistent love. Set in medieval Britain, it follows an elderly Saxon couple as they journey across the land to visit their son, but they and everyone else around them are thwarted by a fog that has stolen most of their memories. Ishiguro’s style is elegant and ethereal, evocative of legend and the simplicity of times past—perhaps not as they actually were, but as we imagine them to have been. If A24 gave this The Green Knight treatment, I’d watch the hell out of it.


SOLID SUPPORTS PART ONE

Book cover images for Wide Sargasso Sea by Jean Rhys, The Seven Daughters of Dupree by Nikesha Elise Williams, and Brawler by Lauren Groff

Wide Sargasso Sea — Jean Rhys

I picked this one up during a Reading Club field trip to Liz’s Book Bar in April. Side note: look how cute everybody is!

A group of adult friends in front of a large bookshelf in Liz's Book Bar
shoutout to Sarah’s film camera!

Apparently Jean Rhys, who was born in the Caribbean, took issue with the fact that all we knew of Mr. Rochester’s unstable wife in Jane Eyre was that she was also from the Caribbean, so she took it upon herself to write the story of that first wife. In Rhys’s hands, Bertha Mason becomes Antoinette, a white Creole girl growing up in poverty on a post-slavery Jamaican plantation. Rhys’s descriptions of her homeland are full of color and spirit, dominated by an inherent wildness that Antoinette’s eventual, unnamed English husband refuses to understand and seems to fear as much as he does the resentment from their emancipated neighbors. As Edwidge Danticat writes in the introduction, the result is a deliberately misunderstood woman who would likely have gotten along quite well with Jane Eyre, and had plenty to talk about, if only they’d been given the chance.

The Seven Daughters of Dupree — Nikesha Elise Williams

I was given a PDF of this book to read in evaluation for the Center For Fiction’s First Novel Prize, but eventually switched over to the audiobook for the sake of time and because the narrator turned out to be fantastic. This is a multi-generational story of one family of Black women, spanning from 1861 Alabama to 1995 Chicago. Descendants of an enslaved woman and a white plantation master, each generation of women seeks answers to the “curse” of their generational trauma, culminating in the reveal of a long-buried secret about their ancestor’s violent fate. Well-balanced and driven by each character’s unique voice, I loved how each generation seemed to explore the same questions of identity, family, and fate in ways that were particular to their time and place, yet very much part of the ongoing conversation of their family history. I really hope this debut sees some recognition from the CFF!

Brawler — Lauren Groff

I’ve read a couple of Groff’s books before, so, obviously, I knew she could write, but I didn’t realize she could physically hurt me with her words. This collection was gut punch after gut punch of short stories, nearly all of them following characters either in a crisis or on the brink of one, exploring the humanity revealed in the way they dealt with their circumstances. Reading these stories made me feel like I was in back in school, like I wanted to sit down and copy her sentences out for myself just to see how they were working. I wonder, sometimes, why writers feel the need to create characters just to make them suffer, but Groff’s stories do more than that. They invite us to suffer with them, to experience a full range of human emotion, to ask ourselves what we would do in their position and would we be able to see the beauty in it, as we can as a reader? I’m actually still reeling about this one a little, if you couldn’t tell.


SOLID SUPPORTS PART TWO

Book cover images for The Mirror & the Light by Hilary Mantel and Lonesome Dove by Larry McMurtry
ohhhh boy, now we’re getting into the big guns

The Mirror & the Light — Hilary Mantel

Now, I know what you’re thinking. Yes, this is the third book of the trilogy. Yes, we have not discussed book #2 yet. I considered combining books two and three because I read them pretty much back to back and as a whole, they provided the most superior reading experience of my summer so far. HOWEVER. Both books were also completely different reading experiences, and I will get more into this in just a moment!

Suffice it to say that I finished book #3 of the trilogy while sick in bed after too much travel, devastated by the inevitability of events that already came to pass nearly five hundred years ago, but which you can’t help but hope will somehow be stopped. The injustice of it all! The hubris of kings and would-be kings!! Power is a wheel of fortune from whose turning no one is safe, etc. etc. The real reason I’m ceding the top spot to the second volume is because it is simply much more fun to read about somebody coming into their power than falling from grace, and also because the title phrases of the mirror and the light were referenced just a few too many times for my liking. We get it! It’s the title!

Lonesome Dove — Larry McMurtry

If you had told me in January how deeply invested I would become in the logistics of an 800-page cross-country cattle drive by June, I would have been confused but honestly, not surprised. What did surprise me was how fast each week’s fifty or so assigned book club pages seemed to fly by, and how difficult it was to put it down and pace myself over the course of several months. For a book about a bunch of mostly white guys who have difficulty expressing their feelings, they sure made me feel a whole lot!!

Historical (in)accuracies aside, I was charmed by the idea of a young America still so vastly undeveloped by white settlers, of large expanses of land that are probably now Walmart parking lots but were once wild and dangerous and beautifully untouched. Just as charming were the cowboys themselves, from the youngest ranch hand to the oldest former Texas Rangers past their prime, in search of a little more glory.

Their quest for purpose and legacy, their sense of honor and duty, and their respect for nature and the unpredictable twists of fate that governed their journey made me feel—similar to The Buried Giant—nostalgic for a time and place that may or may not have ever existed outside of our collective imagining. And yet, by the end of the book, one is left with the feeling that something intangible has been lost with the completion of their journey, an era officially ended and its heroes gone with it. One is also left with an extremely questionable Facebook Marketplace algorithm.


THE TIPPY TOP

A hand holding up the book Bring Up the Bodies by Hilary Mantel in front of the water on a Mallorcan beach
obviously, the Mallorcan beach was going to be the superior reading experience

Bring Up the Bodies — Hilary Mantel

Okay, just so we’re all caught up: Bring Up the Bodies picks up where Wolf Hall left off, with Henry VIII growing suspicious of Anne Boleyn’s inability to give him a son and starting to get the hots for Jane Seymour. Who but Thomas Cromwell, the architect of Henry’s first divorce from Katherine of Aragon, should be the man to make his king’s dreams come true again? Bring Up the Bodies chronicles the downfall of Anne Boleyn and her supporters, and the rise in favor of Thomas Cromwell as the man who makes it all happen.

I’ve long been fascinated by the mechanisms and intricacies of power: who has it, who doesn’t, who can learn to speak its language before being silenced by it. This is not simply the story of a king in love and his humble servant; it’s the story of a world power seeking to position itself to its advantage against other world powers, via the scheming of someone who has lived enough lives across the continent to be deeply familiar with the inner workings and key players of each empire. Europe is Thomas Cromwell’s chess board, and Henry’s court is a game of checkers where Cromwell seems poised to king himself.

There’s a reason Anne Boleyn’s story persists with more mythos than the rest of Henry’s wives: it’s juicy! Her ladies sold her out! Was she a witch? Did she have sex with her brother? We’ll never actually know. What we do know, we’ve pieced together from what the other game players left behind: the laws they wrote, the trials they recorded, and of course, the graves they dug. The Mirror & the Light concludes Cromwell’s story the only way it can, but Bring Up the Bodies is the best of the trilogy, in my opinion, because it shows him at his best. Fluent in intrigue, master manipulator, always three steps ahead and never blind to how he and those he loves may benefit.

Was he right? Was he just? It’s morally gray at best. But was he good at what he did? Hilary Mantel gives us the pleasure of witnessing that for ourselves


Can you see now how the Wolf Hall trilogy has ruined me for other summer reading? I spent almost 2,000 pages of feasting on gorgeous prose with the guy just for him to lose his head. It’s been a month and I’m still in mourning for Thomas Cromwell, but I have been eyeing the four-in-one Elena Ferrante I got for Christmas lately, so maybe it’s time to trade one saga for another.

In the meantime, I’d love to hear about how your summer reading is going. Inspire me, I’m begging you! You can find me in all the usual places.

Until next time, happy reading!
❤ Catherine


Housekeeping note: all book links go to my Bookshop storefront, where each purchase supports independent bookstores (and this newsletter, because I get a small percentage of each sale).

To whatever end

Lit Chat Vol. 33 — January/February in Review

Pyramid of book cover images with Bury Our Bones in the Midnight Soil by V.E. Schwab, The Vampire Lestat by Anne Rice, The Wood at Midwinter by Susanna Clarke, and Audition by Katie Kitamura on the bottom; House of Earth and Blood by Sarah J. Maas and The Artist's Way by Julia Cameron in the middle; Kingdom of Ash by Sarah J. Maas on top.

Hi friends,

I started 2025 with a really clear idea of what I wanted to do with my time and my brain. I had a strong drive to learn, stretch, and achieve via a self-imposed curriculum. And I enjoyed it! I’m glad I did it. But come January 2026, I needed a rest.

For me, rest is letting myself luxuriate in 500+ page books that take well over a month to read. I gravitate towards these (mostly fantasy) books during times of hibernation and withdrawal, protracted escapes from the rest of the world.

I think I’m branding 2026 as the year of the long read. The project read, if you will. I’m currently in a book club to read Larry McMurtry’s western epic Lonesome Dove over the next few months. I desperately need to return to (read: binge) the Wolf Hall trilogy. I’d also like to finally tackle some Dostoyevsky, and maybe we’ll return to some Proust in the summer? Who’s to say!

For the past three years, I’ve shied away from longer books because I was afraid they’d leave me with not enough to write about here on a monthly cadence. That’s not interesting to me anymore! This year, we’re eliminating that stress. As a result, these updates may be a little less frequent until I feel like mixing it up again. You’ll hear from me when you hear from me, but I’m always around if you want to chat.

Speaking of, we’ve got some catching up to do. Shall we?


THE FOUNDATION:

Book cover images for Bury Our Bones in the Midnight Soil by V.E. Schwab, The Vampire Lestat by Anne Rice, The Wood at Midwinter by Susanna Clarke, and Audition by Katie Kitamura

Bury Our Bones in the Midnight Soil — V.E. Schwab

I wanted to love this one! I really did. Chalk it up to bad timing, that I happened to read two vampire books more or less concurrently. I usually enjoy Schwab’s writing and was intrigued by the three different eras her characters belonged to: 2019 Boston, Regency-era London, and sixteenth-century Spain. However, I don’t think the length worked in this one’s favor. When each of the POVs are novel-length in their own right, the moment when they finally convene needs to feel deservedly momentous. This one kind of just devolved into an anticlimax about grief and toxic relationships, and I don’t think it brought anything particularly new and exciting to the canon of vampire novels. Speaking of…

The Vampire Lestat — Anne Rice

I first read Interview with the Vampire six or seven years ago, and absolutely loved the luxurious, sensual campiness with which Rice essentially defined the modern vampire novel. Once you’ve read it, everything else (unfortunately, Bury Our Bones included) just feels like an imitation. That said, this did take me closer to four months to get through because, as fascinating a character as Lestat is, this nearly 600-page book is more autobiography than true plot. This made it easy to put down and pick back up during the different eras of Lestat, but didn’t make me want to read nonstop to the exclusion of all else. We do get some cool vampire origin lore in this volume, though, and I do intend to finish the rest of this series eventually.

The Wood at Midwinter — Susanna Clarke

Susanna Clarke is a delight at whatever she does, be it a 1,000-page fantasy doorstop or a 64-page fairy tale. I would read her grocery lists, but in their absence, The Wood at Midwinter is an exquisitely illustrated short story about a strange girl and her affinity for the woods who speak back to her like a character in their own right. This is a perfect snow day book for adults and children alike—exactly the length of a cup of hot chocolate.

Audition — Katie Kitamura

Listen, it’s been two months and I still have no idea how to feel about this book. My first response after finishing it in one sitting was just ???, and my second response was to message some friends who I knew had read it:

screenshot of a discord message that says "I can't decide if it's genius or obnoxious. This one requires some stewing.
spoiler alert: still stewing!

I don’t even know how to talk about it without spoiling it? On the surface, it’s about an actress and a young man who claims to be her son, the emotional fallout that ensues, and its effects on her performance in an upcoming play. But there’s a twist! And the twist has you questioning everything you’ve read up until then, the reliability of each character, and the reliability of the narrative itself. It lands in a sufficiently WTF place that answers absolutely zero questions, which is why it’s either genius or obnoxious. I think I’ve landed on possibly both? But I’m still kind of annoyed. If you’ve read this one, I want to hear from you!!


SOLID SUPPORTS:

House of Earth and Blood — Sarah J. Maas

I have officially reached the point in my SJM reading journey where I’m just committed to reading everything she’s written. After finishing the Throne of Glass series in January (more on that to come, dw), I couldn’t resist the temptation of yet another 900-page book on my Kindle to take with me on a trip to Florida.

HOEAB is the first book in the Crescent City series, and I’ll admit I’m not vibing with the urban fantasy elements quite as much as I was the classic high fantasy of Throne of Glass. There’s something just kind of wrong to me about angels using cell phones and watching TV. This one, however, scores points for being written for an adult audience, and I was pleasantly surprised by how quickly it sucked me in despite having to learn yet another new world’s worth of vocabulary, geography, and lore. This is another series I’m committed to seeing through to the end this year. Probably sooner rather than later, if Libby keeps delivering the e-books this fast.

The Artist’s Way — Julia Cameron

Enough creative friends of mine had been threatening to do The Artist’s Way for long enough that in December, we actually started, and in February, I finished! Twelve weeks of consistent morning pages, Artist’s Dates, and challenging my relationship with art, creativity, and the universe’s role in all of it.

I think my biggest takeaways were:

  1. How much calmer I feel in my day when I spend the first fifteen minutes dumping my brain out into my fancy Italian leather journal like Dumbledore’s pensieve.
  2. How fun it is to go to the movies by myself and not share my popcorn.
  3. How much more likely I am to get something done if I a) write it down and b) tell other people about it.

This journey also helped me recommit to my creative writing and to the possibility of sharing it with the world in a big way (I’ve been submitting to literary magazines for the first time in like six years), which I’ll admit is very scary! And hard to open myself back up to rejection in that way! But if I can be brave then so can you, because Julia Cameron says so.


THE TIPPY TOP:

Book cover image for Kingdom of Ash by Sarah J. Maas

Kingdom of Ash — Sarah J. Maas

I think as a general rule, if I’m going to invest upwards of four thousand pages of my reading time to a single series, then the last book is actually legally obligated to be good enough for the top spot. Fortunately for SJM, Kingdom of Ash was.

This is the seventh book in a series, so at this point it’s almost impossible to discuss without spoilers. I’ve talked in previous posts about how much I was enjoying the ways the geographical world of the novel continued to expand, and how satisfying it was when characters from different corners of the map finally teamed up. But in finishing (and starting) yet another SJM series, I’ve also been thinking a lot about the romantasy genre as a whole, especially in response to Daniel Yadin’s essay in The Drift.

A significant portion of Yadin’s essay about the recent rise of romantasy in pop culture goes for shock value in quoting some of the steamier sex scenes and using them as a lens to explore the representation of female freedom and sexual liberation, often at the cost of literary quality. What I think he dismisses in his argument about how fate and overdetermination weaken the characters’ individual agency is the fact that said overdetermination is…kind of the whole point?

Yes, we come to these books for an escape, but the main fantasy is not the magic or the dragons or the “unfathomably hung” love interests. The real fantasy is the guarantee that somehow, even when all signs point towards certain doom, everything is still going to work out okay. The hands of fate are always working for the good: the war will be won, the lover found true and whole, the friendships strengthened and preserved. In a reality of horrific news cycles where we are reminded every day that absolutely none of this is promised to us, isn’t that kind of certainty the wildest fantasy of all?

Anyway, that’s just a teaser of my full rant (The Drift can commission me for a full rebuttal if they want), but I’ll end by saying these books are also just really fun to read! And for what it’s worth, Throne of Glass is the least raunchy, as it’s technically YA. Safe to share and enjoy with both teens and grandmas.


Well, friends, thanks for hanging and for bearing with me as I figure out what I want this newsletter (and my life in general) to look like in 2026. If you want to chat more about any of these books, or want to commit to a buddy read of Infinite Jest (I think I’m kidding…maybe), drop a comment or hit me up in any of the other usual places.

And until next time, happy reading!
❤ Catherine


Housekeeping note: all book links go to my Bookshop storefront, where each purchase supports independent bookstores (and this newsletter, because I get a small percentage of each sale).