Tag Archives: ross gay

Hello friends! Here we are again. 2024 was a long year, in which I somehow managed to finish 53 books despite numerous travels, weddings, getting engaged(!), and countless other distractions and diversions. Not as many books as years past, but a whole lot more life, and a really great year of reading, nonetheless.

For Round One of the Lit Chat’s Best Books of 2024 Bracket, we’ve got six match-ups. Most of these were pyramid-toppers, but not all! We’re working outside of the pyramids a little bit this year because I ended up combining a few months together a couple times (and I only read one book in November and December each, so no newsletter there, oops), but I want to make sure all these fantastic books get their fair shot. Make your predictions and place your bets now, because we’re about to get into it.

ROUND ONE:

The Book of (More) Delights vs. I’m Glad My Mom Died

We started the year strong with two audiobooks narrated by their respective authors, which is an experience I treasure. For this specific match-up, the winner is going to be determined mostly by vibe, as both were fantastic in their own ways. I quickly became deeply invested in Jennette’s story, and found so much to admire in the strength and clarity of her writing, her resilience, and her signature humor. Meanwhile, The Book of (More) Delights found me during a time where I deeply needed a reminder to look for joy in my daily life, and Ross Gay helped me find it. I’ve tried to keep up this practice throughout the year whenever I’m out and about in the world, finding a contented feeling of peace in the way my neighborhood changes through the seasons and the small, tender moments of humanity witnessed on my morning commute. For being a consistent and much-needed source of joy, Ross Gay wins this round.

Biography of X vs. 1000 Words: A Writer’s Guide

This is a very tough case of completely different kinds of books that have had a profound impact on me in completely different ways, and as such I would never otherwise be comparing them. Biography of X was a novel that changed the way I think about the novel as a form in its depiction of a character whose defining characteristic is a refusal to be defined. 1000 Words is the companion craft book to Jami Attenberg’s #1000wordsofsummer annual challenge, which has brought me invaluable connection and companionship along with inspiring me to produce literally thousands of words. These are both books that I keep close to my desk and return to frequently, so this is probably the most difficult match-up of this entire round. With a heavy heart, I’m going with Biography of X, purely because in a competition consisting mostly of novels, it feels most fair to compare this one to the rest of the contenders. However!! Let it be known that 1000 Words deserves a special honorable mention as being a book that well and truly shaped not only my reading year, but my entire writing practice.

A Court of Mist and Fury vs. Either/Or

While I do stand by ACOMAF being the best of the series, it’s simply no contest when up against a shining example of contemporary literary fiction at its finest. Either/Or was the smart, funny, and endearingly relatable sequel to a favorite from years past, The Idiot, about a Harvard undergraduate spending the summer as a travel writer. It played on my English major’s heartstrings, gave me glimpses into a part of a world I’ve never seen, and let me gobble up a progression of increasingly chaotic romantic encounters like the nosy busybody I am. This isn’t to say I didn’t also gobble up the enemies-to-lovers romance that dominates the second book in Sarah J. Maas’s steamy series; I did go on to read like two thousand more pages of this series over the course of the year, after all. But Either/Or was meaty in a way that fed my brain and my heart and made me feel like I was learning and growing right along with Selin, so onward Selin goes to the next round.

Catch the Rabbit vs. The Road

While both of these books are coincidentally about emotionally fraught road trips, and both can claim powerful endings that caught me by surprise, there is a clear winner here. The Road has the advantage of unexpectedly moving me to tears, but I finished the book and mostly stopped thinking about it after a few days. In contrast, I still think about the final scene of Catch the Rabbit probably twice a week. Catch the Rabbit achieved so many things that I am obsessed with during Sara and Leyla’s chaotic journey of reconnection: it seamlessly interwove years of personal and national history into the present moment, doling out perfectly-paced details and anecdotes as needed to reinforce Sara’s narrative, all while putting the slippery messiness of memory and growing up on full display. Bonus points for the experience of reading this book while on the train through the European countryside. I’m grateful to The Road for being my introduction to McCarthy’s work and enjoyed it so much more than I expected I would, but Catch the Rabbit became one of my favorite books of all time, and has a strong chance of beating out all the rest for book of the year.

The Pairing vs. Intermezzo

Another tricky one, because these are two of my favorite authors living and writing today for an audience of people around my age, which is a really special experience. What this one comes down to is that while I thoroughly enjoyed The Pairing, it simply does not carry the same weight that Intermezzo does. To be fair, they are completely different genres, so this isn’t really a fair match-up! The Pairing is a rollicking, raunchy second chance romance set on a food and wine tour of Europe, while Intermezzo is a quiet, thoughtful, plodding and at times painful exploration of love, sex, relationships, and social norms through a solidly literary lens. At the end of the day, I feel like Intermezzo engaged my brain in a way that feels excessively rare these days,inviting me to forgo the instant gratification championed in The Pairing in favor of sitting with its characters and their situations in a way that inspired reflection and analysis. I am, for better or worse, exactly Sally Rooney’s target audience, and for that reason, she wins the day.

The God of the Woods vs. The Spear Cuts Through Water

Writer Maris Kreizman called The God of the Woods “the thriller of the year,” and I wholeheartedly agree. It was a sit-down-on-the-couch-and-don’t-get-up-for-three-hundred-pages kind of book that simply requires absolute surrender. On the other hand, The Spear Cuts Through Water took me so long to finish that the Brooklyn Public Library threatened to make me pay for it. However! My slowness was more situational than merit-based, because The Spear Cuts Through Water is a book unlike anything I’ve ever read before. It’s the story of an epic journey, a reality-blending legendary history performed with the intermittent inclusion of a Greek chorus of supporting voices. It’s a love letter to the oral tradition and a love story at its heart, filled with magic, intrigue, and some of the most impressively all-encompassing worldbuilding I’ve read in a long time. The God of the Woods was a fantastic page-turner filled with compelling characters and sharp commentary on elitism and social class, but The Spear Cuts Through Water is entirely unique in its form and content, introducing readers to a world as vast, rich, and dangerously enchanting as Lord of the Rings or Game of Thrones. This is the future of fantasy, people!! For that reason, it’s moving forward.

Thanks for coming along for Round One! Stay tuned for the Round Two in the next couple of days. In the meantime, I’d love to hear about your top books of the year, especially if we have any in common, or any recommendations you have for me in 2025!

Until next time, happy reading!
❤ Catherine

Housekeeping note: all book links go to my Bookshop storefront, where each purchase supports independent bookstores (and this newsletter, because I get a small percentage of each sale).