Lit Chat’s Best Books of 2024: Round One

Template image for a Book of the Year bracket

Hello friends! Here we are again. 2024 was a long year, in which I somehow managed to finish 53 books despite numerous travels, weddings, getting engaged(!), and countless other distractions and diversions. Not as many books as years past, but a whole lot more life, and a really great year of reading, nonetheless.

For Round One of the Lit Chat’s Best Books of 2024 Bracket, we’ve got six match-ups. Most of these were pyramid-toppers, but not all! We’re working outside of the pyramids a little bit this year because I ended up combining a few months together a couple times (and I only read one book in November and December each, so no newsletter there, oops), but I want to make sure all these fantastic books get their fair shot. Make your predictions and place your bets now, because we’re about to get into it.


ROUND ONE:

Book cover images for The Book of (More) Delights by Ross Gay and I'm Glad My Mom Died by Jennette McCurdy

The Book of (More) Delights vs. I’m Glad My Mom Died

We started the year strong with two audiobooks narrated by their respective authors, which is an experience I treasure. For this specific match-up, the winner is going to be determined mostly by vibe, as both were fantastic in their own ways. I quickly became deeply invested in Jennette’s story, and found so much to admire in the strength and clarity of her writing, her resilience, and her signature humor. Meanwhile, The Book of (More) Delights found me during a time where I deeply needed a reminder to look for joy in my daily life, and Ross Gay helped me find it. I’ve tried to keep up this practice throughout the year whenever I’m out and about in the world, finding a contented feeling of peace in the way my neighborhood changes through the seasons and the small, tender moments of humanity witnessed on my morning commute. For being a consistent and much-needed source of joy, Ross Gay wins this round.

Book cover images for Biography of X by Catherine Lacey and 1000 Words: A Writer's Guide to Staying Creative, Focused, and Productive All Year Round by Jami Attenberg

Biography of X vs. 1000 Words: A Writer’s Guide

This is a very tough case of completely different kinds of books that have had a profound impact on me in completely different ways, and as such I would never otherwise be comparing them. Biography of X was a novel that changed the way I think about the novel as a form in its depiction of a character whose defining characteristic is a refusal to be defined. 1000 Words is the companion craft book to Jami Attenberg’s #1000wordsofsummer annual challenge, which has brought me invaluable connection and companionship along with inspiring me to produce literally thousands of words. These are both books that I keep close to my desk and return to frequently, so this is probably the most difficult match-up of this entire round. With a heavy heart, I’m going with Biography of X, purely because in a competition consisting mostly of novels, it feels most fair to compare this one to the rest of the contenders. However!! Let it be known that 1000 Words deserves a special honorable mention as being a book that well and truly shaped not only my reading year, but my entire writing practice.

Book cover images for A Court of Mist and Fury by Sarah J. Maas and Either/Or by Elif Batuman

A Court of Mist and Fury vs. Either/Or

While I do stand by ACOMAF being the best of the series, it’s simply no contest when up against a shining example of contemporary literary fiction at its finest. Either/Or was the smart, funny, and endearingly relatable sequel to a favorite from years past, The Idiot, about a Harvard undergraduate spending the summer as a travel writer. It played on my English major’s heartstrings, gave me glimpses into a part of a world I’ve never seen, and let me gobble up a progression of increasingly chaotic romantic encounters like the nosy busybody I am. This isn’t to say I didn’t also gobble up the enemies-to-lovers romance that dominates the second book in Sarah J. Maas’s steamy series; I did go on to read like two thousand more pages of this series over the course of the year, after all. But Either/Or was meaty in a way that fed my brain and my heart and made me feel like I was learning and growing right along with Selin, so onward Selin goes to the next round.

Book cover images for Catch the Rabbit by Lana Bastasic and The Road by Cormac McCarthy

Catch the Rabbit vs. The Road

While both of these books are coincidentally about emotionally fraught road trips, and both can claim powerful endings that caught me by surprise, there is a clear winner here. The Road has the advantage of unexpectedly moving me to tears, but I finished the book and mostly stopped thinking about it after a few days. In contrast, I still think about the final scene of Catch the Rabbit probably twice a week. Catch the Rabbit achieved so many things that I am obsessed with during Sara and Leyla’s chaotic journey of reconnection: it seamlessly interwove years of personal and national history into the present moment, doling out perfectly-paced details and anecdotes as needed to reinforce Sara’s narrative, all while putting the slippery messiness of memory and growing up on full display. Bonus points for the experience of reading this book while on the train through the European countryside. I’m grateful to The Road for being my introduction to McCarthy’s work and enjoyed it so much more than I expected I would, but Catch the Rabbit became one of my favorite books of all time, and has a strong chance of beating out all the rest for book of the year.

Book cover images for The Pairing by Casey McQuiston and Intermezzo by Sally Rooney

The Pairing vs. Intermezzo

Another tricky one, because these are two of my favorite authors living and writing today for an audience of people around my age, which is a really special experience. What this one comes down to is that while I thoroughly enjoyed The Pairing, it simply does not carry the same weight that Intermezzo does. To be fair, they are completely different genres, so this isn’t really a fair match-up! The Pairing is a rollicking, raunchy second chance romance set on a food and wine tour of Europe, while Intermezzo is a quiet, thoughtful, plodding and at times painful exploration of love, sex, relationships, and social norms through a solidly literary lens. At the end of the day, I feel like Intermezzo engaged my brain in a way that feels excessively rare these days,inviting me to forgo the instant gratification championed in The Pairing in favor of sitting with its characters and their situations in a way that inspired reflection and analysis. I am, for better or worse, exactly Sally Rooney’s target audience, and for that reason, she wins the day.

The God of the Woods vs. The Spear Cuts Through Water

Book cover images for The God of the Woods by Liz Moore and The Spear Cuts Through Water by Simon Jimenez

Writer Maris Kreizman called The God of the Woods the thriller of the year,” and I wholeheartedly agree. It was a sit-down-on-the-couch-and-don’t-get-up-for-three-hundred-pages kind of book that simply requires absolute surrender. On the other hand, The Spear Cuts Through Water took me so long to finish that the Brooklyn Public Library threatened to make me pay for it. However! My slowness was more situational than merit-based, because The Spear Cuts Through Water is a book unlike anything I’ve ever read before. It’s the story of an epic journey, a reality-blending legendary history performed with the intermittent inclusion of a Greek chorus of supporting voices. It’s a love letter to the oral tradition and a love story at its heart, filled with magic, intrigue, and some of the most impressively all-encompassing worldbuilding I’ve read in a long time. The God of the Woods was a fantastic page-turner filled with compelling characters and sharp commentary on elitism and social class, but The Spear Cuts Through Water is entirely unique in its form and content, introducing readers to a world as vast, rich, and dangerously enchanting as Lord of the Rings or Game of Thrones. This is the future of fantasy, people!! For that reason, it’s moving forward.


Thanks for coming along for Round One! Stay tuned for the Round Two in the next couple of days. In the meantime, I’d love to hear about your top books of the year, especially if we have any in common, or any recommendations you have for me in 2025!

Until next time, happy reading!
❤ Catherine


Housekeeping note: all book links go to my Bookshop storefront, where each purchase supports independent bookstores (and this newsletter, because I get a small percentage of each sale).

The only way to the end is through

April in Review — Lit Chat Vol. 18

Pyramid of book cover images with 1000 WORDS: A WRITER'S GUIDE TO STAYING CREATIVE, FOCUSED, AND PRODUCTIVE ALL YEAR ROUND by Jami Attenberg on top; MARTYR! by Kaveh Akbar and NOTHING TO ENVY: ORDINARY LIVES IN NORTH KOREA by Barbara Demick in the middle; DEATH VALLEY by Melissa Broder, THE BLUE MIMES by Sara Daniele Rivera, and A COURT OF THORNS AND ROSES by Sarah J. Maas on the bottom.

Hi friends,

April’s big news has been that I’m taking a temporary social media reprieve, and the brain space that has opened up over the past few weeks has been unbelievably refreshing. I went from taking two weeks to read one novel to finishing five books in ten days. My attention span is lengthening by the minute!

It’s silly because I haven’t really enjoyed posting on social media in years. It feels like a hassle, and I mostly prefer to leave my personal life to the imagination. But I love lurking. It’s the lazy girl’s equivalent of eavesdropping in a busy coffee shop. I love listening to other people’s conversations and personal dramas and feeling like I’m in the world even if I’m just alone in my bed. But guess what scratches that same itch? READING! (Shocking! I know.)

Being more or less offline has been freeing. I feel like a kid again, when the first thing I reached for when bored on summer vacation was a book, or a craft, or my bike. I feel like I have a brain again and I’m so excited to use it.

That said, let me tell you about some books! If you prefer to get this post right to your inbox, you can do so by subscribing to my Substack below:


THE FOUNDATION:

Book cover images for DEATH VALLEY by Melissa Broder, THE BLUE MIMES by Sara Daniele Rivera, and A COURT OF THORNS AND ROSES by Sarah J. Maas

Death Valley — Melissa Broder

Melissa Broder has nailed writing weird little books with female protagonists who are about one mild inconvenience away from a full mental breakdown. In Death Valley, a writer escaping the pressures of tending to her hospitalized father and her chronically ill husband has a bizarre experience in the desert, which leads to her getting lost and coming face-to-face with the realities (surrealities?) of grief and love. Broder strips her protagonist’s needs down to their most primal, placing her basest desires on the same stage as her instinct to survive and proving the two equally necessary and inextricably intertwined. A quick, trippy read! I liked it better than The Pisces, but it didn’t stand out too much otherwise.

The Blue Mimes: Poems — Sara Daniele Rivera

This National Poetry Month was less poetry-heavy than past years, but I had to squeeze at least one collection in! The Blue Mimes won the Academy of American Poets First Book Award for its meditations on grief and longing during the tumultuous years of the Trump presidency and the pandemic, and the personal losses that defined this time for the poet. The poems flow seamlessly between English and Spanish, this dialogue an avenue to explore Rivera’s family legacies in Cuba, Peru, and the U.S. in an effort to preserve the stories and memories that get lost when moving between countries and generations. I really recommend taking a few minutes to read three poems from the collection on Electric Lit here.

A Court of Thorns and Roses — Sarah J. Maas

All of the people who recommended this series to me failed to mention that it is essentially Beauty & the Beast, but with sexy faeries! That would have been a crucial selling point for the former Disney kid in me. A human woman spirited into faerie territory, forced to live in an exquisite mansion with a cursed (but still gorgeous) faerie lord who treats her kindly and comes to love her?? Tale as old as time! Unfortunately for Feyre and Tamlin, the presence of four more books in this series leads me to believe their happily ever after is still a long ways away, but I’m definitely in the mood to see where the rest of this story goes.


SOLID SUPPORTS:

Book cover images for MARTYR! by Kaveh Akbar and NOTHING TO ENVY: ORDINARY LIVES IN NORTH KOREA by Barbara Demick

Martyr! — Kaveh Akbar

In this first novel from poet Kaveh Akbar, struggling writer and recovering addict Cyrus Shams seeks the wisdom of a terminally ill artist who has chosen to spend her final days in residence at the Brooklyn Museum. Having immigrated to America from Iran as a young child after the tragic death of his mother, Cyrus has a fascination with death and martyrs. His latest project, a book of poems about famous martyrs, is an attempt to find meaning in his own life and work, and his conversations with the artist become increasingly personal as he strives to reconcile his desire to die well with the indifferent reality of death.

I had the pleasure of seeing Kaveh Akbar discuss Martyr! at P&T Knitwear back in January, which was an absolute delight. Akbar spoke candidly about how his own journey with sobriety influenced Cyrus’s, and about the myriad influences on his work and creative process in his transition from writing poetry to fiction. Akbar’s sense of genuine awe and gratitude for the world around him are contagious and permeate throughout his work. He signed my book, “May you walk in wonder,” and I just think that’s a beautiful blessing to give to anyone, much less a stranger.

Nothing to Envy: Ordinary Lives in North Korea — Barbara Demick

I want to give a shout out to my Aunt Sally for this recommendation! This book, which follows six former citizens of North Korea who defected to South Korea, was shocking in the ways I expected it to be, and devastating in ways I never thought to imagine. By interviewing defectors from various backgrounds and levels of privilege in South Korea, Demick reveals a country in chaos, rife with widespread poverty, bureaucratic disorganization, and deliberate misinformation during the reign of Kim Jong-Il to 2015, the time of her reporting.

The North Korean regime is often aptly described as Orwellian, in large part due to the nature of its surveillance state and enforced loyalty. However, what struck me the most was the extent of information deprivation throughout the country at all levels of wealth and privilege. Even as they were starving in a famine that killed millions in the 1990s, schoolteachers were still teaching their dying pupils that they should be grateful to be North Koreans, and that everywhere else in the world was inferior. A doctor who escapes across the Chinese border only realizes that this is untrue when she sees that dogs in China have more food to eat than she did back home. It’s easy for us in the West to dismiss North Korea as an anachronistic propaganda machine, but this book was eye-opening in its portrayal of the true horror and suffering its people have experienced for the sake of a few powerful men’s delusions.


THE TIPPY TOP:

1000 Words: A Writer’s Guide to Staying Creative, Focused, and Productive All Year Round — Jami Attenberg

Book cover image for 1000 WORDS: A WRITER'S GUIDE TO STAYING CREATIVE, FOCUSED, AND PRODUCTIVE ALL YEAR ROUND by Jami Attenberg

I’m giving this book the top spot for April, but I’ve been taking my time with it ever since attending not one but two (!) of its Brooklyn launch events back in January. 1000 Words is the book version of author Jami Attenberg’s annual #1000WordsofSummer challenge, in which participating writers are tasked with writing 1000 words a day for two weeks. For each day of the challenge, participants receive a motivational email from either Jami or another writer, offering much-needed encouragement and perspective. This book is a collection of these letters, as well as a number of short craft talks from Jami, organized seasonally to represent the shifting needs and opportunities of one’s ever-evolving creative practice throughout the year.

It’s hard to express in just a few paragraphs how much #1000Words means to me. I’ve participated in the challenge and its mini offshoots with varying levels of success since 2020, and have found such wonderful and frankly life-changing community, along with significant consistency and improvement in my personal writing practice. I’ve spent the past four months with this book on my desk, reading a few pages at a time before getting busy. Now that I’ve come to the end, I can say with confidence that it’s a volume I’ll continue turning to for a very long time.

This book is essential for all writers, but I’d also recommend it to those with any kind of creative practice. Swap out “writing” for painting, singing, dancing, crafting, etc., and its prescriptions for setting achievable goals, recognizing your strengths, and carving our time for your work—among many, many other things—become universal for creatives everywhere. I’m so grateful for the wisdom and encouragement both inside this book and beyond it in the greater #1000Words community, and I can’t recommend both highly enough. If you’re interested in joining us, the next #1000Words challenge starts on June 1st!


That’s all for April! I’ll probably come back to Instagram eventually, but until then, text/email/these comments are the best way to reach me. And I hope you will still reach me, because I am more jazzed than ever to be reading and talking about books.

Until next time, happy reading!
❤ Catherine


Housekeeping note: all links go to my Bookshop storefront, where each purchase supports independent bookstores (and this newsletter, because I get a small percentage of each sale).